tag:blogger.com,1999:blog-19034725355546770062024-03-14T07:59:01.632+00:00fresheyeslogfresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.comBlogger108125tag:blogger.com,1999:blog-1903472535554677006.post-24591644317490334102012-02-03T17:05:00.000+00:002012-02-03T17:05:49.607+00:00All sent for assessmentToday I posted my work off for assessment. What a wonderful feeling handing that parcel over the counter at Royal Mail. Now I wait for the results.<br />
I can now focus on my portraits paper.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-77215315382147486162012-01-06T11:30:00.001+00:002012-01-09T18:31:48.822+00:00Notes to Picture Essay 2I made a few adjustments to my presentation of my photo essay after feedback from my tutor. I've added a few captions and put a wider border around the printed photos. It does look better. I'm still not certain about the last two photos. I have changed the order of those two several times. My first layout (on the table ) I put the beer can last. When I finally put it together I put the portrait of the man who had been attacked last to leave the viewer with a strong emotion at the end. I have now reverted back to the can last. I still can't decide which is better. However I feel that I do have a strong body of work and that this is a minor issue.<br />
My first captions I put the names of everyone except for the last person. Mainly it was I didn't have his name so I put a comment as to why he had been beaten up. My tutor thought a name better than the caption I had put. He didn't know I didn't know it. I thought about and agreed it was letting the work down. So I spent another week on the streets until I got his name. It was worth it.<br />
Overall I am quite pleased with the final version.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-64837188846609279292012-01-05T14:41:00.004+00:002012-01-09T18:25:43.420+00:00Photo Essay Version 2<iframe class="scribd_iframe_embed" data-aspect-ratio="1.41108545034642" data-auto-height="true" frameborder="0" height="600" id="doc_48631" scrolling="no" src="http://www.scribd.com/embeds/77665826/content?start_page=1&view_mode=slideshow&access_key=key-1ns1hundjmba89i806vh&secret_password=1k5a5mq1h9a4rdo9vvi7" width="100%"></iframe><script type="text/javascript">
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</script>fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-34017274196925867962011-12-23T12:47:00.000+00:002011-12-23T12:47:19.025+00:00Assignment Five - NotesAt last the final assignment for this paper has come together. The brief is applying the techniques of illustration and narrative as if a story for a magazine. including a cover followed by several pages telling the story.<br />
The work I am presenting is the result of several months work. It is by no means finished but the beginning of a body of work I intend to continue with it for some time. Photographing the lives of those on the street is not the sort of work you can plan to just pop out one afternoon and shoot. I have spent months getting to know the people who live on the edges of society's expectations. All of them are fighting addiction of some sort. Alcohol, drugs and mental health issues. I have learnt a lot about friendship and trust. I am often astounded by the actions of so called ordinary members of the public. Why is it necessary to physically attack someone who asks for a few coins. Isn't "<i>no"</i> sufficient?<br />
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<i></i><br />
I began this work taking lovely snaps. The deal was I took their photo and gave a print in exchange. The problem with these pictures was they looked like they belonged in a family album. I still take these pictures as there is a need for this family album. Now though I am permitted to take pictures that reflect more of life as it is. I am learning their individual stories. My next step is to record their stories. First I want the story of how they arrived here. Then I want to follow where they go. <br />
Mickey, for example told me how after 19 months in the hostel and coming off his drug habit had moved into his own apartment two days earlier. ( His partner wasn't so lucky, she died.) However he now feels isolated and lonely. I've heard this story several times now. Coming back to the street for companionship.<br />
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In presenting this narrative for my assignment using all of the skills I have obtained over the past year, the hardest was editing. I have become so close to my work it is incredibly hard to be objective. I sought the opinions of several other photographers (and my tutor) to help me be objective. I still can't believe I have been as ruthless as I have. This final selection does NOT include my best portraits! Leaving them out initially felt like cutting off my hand. What I had to do was become more aware of the viewer. They don't know the people or where it is. I worked with prints on a large table shuffling images around to get a flow. I went back through my notes over the past year and considered each of the techniques I had studied. Contrasts, elements of design, colour, lighting techniques, narrative and story telling. Earlier mistakes have not been deleted from my learning log. I find it useful to look at my learning process. Going back through the years work I am pleased with my progress. For example even my most recent errors such as my first attempt to put an essay together. The layout is dreadful. <br />
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My selection is now of images all the same orientation. I found on a previous assignment it is very difficult to jump from portrait to landscape and back again. All the pictures are taken outside only using ambient light. This changes so I have selected only those where the colour of the light is similar. The final selection have a dull day, grey/blue feel to them. I reshot the environment pictures to reflect this as well. I have chosen those with similar colours. I rejected a fabulous portrait as the colours were orange tones making the image stop the flow of the narrative. I have used a variety of wide shots and close ups to help me tell the story. <br />
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Putting the narrative together I selected one of the images to be the cover, my lead photo to draw the reader in. I begin the story with the local store where high alcohol beer is sold very cheaply. I've included group and individual images. The sign on the edge of the square prohibiting drinking on the street. Just across the road from a pub. They don't drink at the pub it is too expensive. Most pubs will have people gathered on the street outside drinking. A person from the street caught drinking on the street will be issued with an ASBO. My closing image shows the abuse often received as a result of asking for money. This is the image I want the reader to go away with. Hopefully to question their own attitudes and actions.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-60599298401969435762011-12-22T11:12:00.007+00:002011-12-23T10:05:59.396+00:00Assignment Five - Illustration and Narrative<iframe class="scribd_iframe_embed" data-aspect-ratio="1.41108545034642" data-auto-height="true" frameborder="0" height="600" id="doc_52049" scrolling="no" src="http://www.scribd.com/embeds/76367940/content?start_page=1&view_mode=slideshow&access_key=key-4fcs9iy8qrb497fpdzl&secret_password=28b1zbplazppps5cfn4x" width="100%"></iframe><script type="text/javascript">
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</script>fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-68696622877228952252011-12-14T13:22:00.000+00:002011-12-14T13:22:33.101+00:00Rain<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-nAl5vVyCyzo/TuH7Hu0-bpI/AAAAAAAAAlA/ndU_INGw_Tw/s1600/rain.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://4.bp.blogspot.com/-nAl5vVyCyzo/TuH7Hu0-bpI/AAAAAAAAAlA/ndU_INGw_Tw/s400/rain.jpg" width="400" /></a></div>Our brief for this exercise was to produce a strong image on rain. This image is one I took previously, juggling an umbrella and my camera with a long lens. Not easy! In addition I have fast activity.<br />
Rain is difficult to photograph so you need to have an image that shows the effects of rain. Lots of umbrellas is the easiest image to show rain. When I took this image I was after something that would show how unpleasant the conditions on the day were. His rain coat is sticking to him, his glasses have rain drops on them and his face shows he is not exactly happy.<br />
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I have had ideas to create a newer image but I haven't had the rain I was after and so far haven't found a willing model. I have a vision of someone caught in the rain absolutely drenched with their hair clinging to their face and raindrops falling off their nose. I'll continue to try and get that image (I can post in my next paper).fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-20255864744910597692011-12-05T17:17:00.001+00:002011-12-05T17:37:49.503+00:00JuxtapositionThe option I have chosen to use to illustrate juxtaposition is to use the still life approach creating a book cover. I have opted for very strong subject matter using symbols to suggest a relationship. The relationship being the mutilation of a young girl and men's sexual power over women. The sole reason that young girls are subjected to this cruelty is for men's pleasure and their power over them.<br />
I recently read an article in the newspaper that 3.500 young girls in London are subjected to genital mutilation each year. I spent a lot of time thinking about how I could create a visual image that would connect the abuse of young girls to the sexual politics of men over women. A barbie doll seemed to me to cover the later. After reading that girls are generally violated with razor blades, scissors or even glass I decided on the symbols of a girls panties with a razor blade to represent the abuse.<br />
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I have used several tools to illustrate juxtaposition. Viewpoint, symbols, lighting and colour. I've used a wide aperture to create a soft focus that aids the sense of the doll being an image of a woman. I have place the razor blade just below the print of a fairy on the panties to create the sense of lost childhood and chosen red as the background colour to represent the amount of bleeding that will occur. I've used lighting to have lots of shadow and black edges to imply that this is something hidden, not spoken openly about, yet the communities in which it happens all know about it.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-WGy3z2cSI9g/TtzzTHwIAnI/AAAAAAAAAk0/4UcR-pQUVk4/s1600/Publication1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="http://3.bp.blogspot.com/-WGy3z2cSI9g/TtzzTHwIAnI/AAAAAAAAAk0/4UcR-pQUVk4/s640/Publication1.jpg" width="427" /></a></div>fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-37795426647672395942011-11-29T17:35:00.000+00:002011-11-29T17:35:19.150+00:00SymbolsFind symbols for a number of concepts describe how you might use them in a photograph.<br />
Our subjects are:<br />
growth, excess, crime, silence and poverty.<br />
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I have found this challenge very interesting. I've carried a notebook around with me for several weeks while I thought about this. I was trying to think of symbols that are different not a cliche. Well that is extremely difficult. I've spent hours in the bookstores looking at book covers to see what ideas have already been used. For example crime novels tend to have either a dagger, drops of blood, a murder victim or graphics on the cover.<br />
I also thought long and hard about how the photo might be used. I was reminded of the HSBC ads where they use an image and show it can mean the opposite depending on the culture. I thought of where this could happen within my subject range. An example is a photo of a child's hand in an adults hand. This could indicate growth on the cover of a political manifesto. Equally it could imply crime in a police poster.<br />
I thought of various symbols for each subject. I then went through my photos to see if I could find images that might be able to be used. I came up with the following:<br />
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<b>Growth:</b><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-RyPCgl9P3Rs/TtT6bzUbC5I/AAAAAAAAAjs/B1cPqN4hOXQ/s1600/growth.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://1.bp.blogspot.com/-RyPCgl9P3Rs/TtT6bzUbC5I/AAAAAAAAAjs/B1cPqN4hOXQ/s400/growth.jpg" width="400" /></a><a href="http://1.bp.blogspot.com/-YFVa0i5yfy8/TtT8lW4JolI/AAAAAAAAAj4/pT1w0FTB0Tc/s1600/excess.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div><br />
The industrial bee is often used as a symbol of hard work so I felt a good symbol for growth. I thought of many other symbols that are often used to represent growth. Plants, money modern skyscrapers. These are all positive symbols of growth. I then thought about growth as a negative and thought of cancer, over population, a different symbol would need to be used for these subjects.<br />
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<b>Excess:</b><br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-JwL8KBV_Yk8/TtT80U5b8qI/AAAAAAAAAkE/LcWNQUHC5G4/s1600/excess.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-JwL8KBV_Yk8/TtT80U5b8qI/AAAAAAAAAkE/LcWNQUHC5G4/s400/excess.jpg" width="288" /></a></div>The first thing that came to mind was Versailles. A photo of the mirror hall makes one think of excess. A table groaning with food. A fat stomach overflowing out of pants with shirt buttons bursting.<br />
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<b>Crime:</b><br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-NayluavCTvo/TtUS1qosThI/AAAAAAAAAkQ/8FLVYorVjpc/s1600/crime.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://2.bp.blogspot.com/-NayluavCTvo/TtUS1qosThI/AAAAAAAAAkQ/8FLVYorVjpc/s400/crime.jpg" width="267" /></a></div>When I thought about symbols for crime I came up with a list of objects like padlock, barbed wire, security cameras, all things that hint at protecting oneself or defending oneself. Then I thought of objects like a knife or gun, things that hurt one. Most images relating to crime do so in a violent way. I then thought about a business man dressed nicely carrying a briefcase to symbolise what is termed white collar crime. Most symbols used do so by working on fear. So I used the picture above, with two symbols often used to demonstrate crime. The look of fear in the little girls face and the way she is clutching her handbag, a symbol of possessions. Is she afraid for her possessions or her personal safety. <br />
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<b>Silence:</b><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-ny7kWFcfhNA/TtUU3LvKklI/AAAAAAAAAkc/lKWnVt720AA/s1600/Silence.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="271" src="http://2.bp.blogspot.com/-ny7kWFcfhNA/TtUU3LvKklI/AAAAAAAAAkc/lKWnVt720AA/s400/Silence.jpg" width="400" /></a></div>I immediately thought of a church for silence. A place where one contemplates. I also thought of a graveyard. I have combined the two in the above image and have by use of a slow shutter speed added the figure of a man so that he appears as a ghost. <br />
Other symbols that came to mind were a finger to ones lips, a person signing (the silence of the deaf). I also thought of a butterfly, a white room with a single white chair in it.<br />
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<b>Poverty:</b> <br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-s-bLg54LFj8/TtUWZ9leLCI/AAAAAAAAAko/UMTfBMBobsg/s1600/poverty.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://1.bp.blogspot.com/-s-bLg54LFj8/TtUWZ9leLCI/AAAAAAAAAko/UMTfBMBobsg/s400/poverty.jpg" width="400" /></a></div>This is perhaps a little too obvious as an image for poverty. A bit of a cliche. But probably most of my ideas for this subject do come into that category. I thought of a darned sock, a shoe with the sole coming apart. Discarded furniture, a broken pushchair. I then thought of a dinner plate with baked beans and a fried egg on it.<br />
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Overall though this exercise has been really good for making me think about how I am going to get a picture to say what I want it to. It's no good my knowing what was happening if my image doesn't say it to the viewer who wasn't there. All the exercises in this module have made me think a lot about what pictures I need to take for the final narrative. Actually they are making me think in general about my pictures. What do I want to say, how am I going to get it really display those messages/emotions.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-67161275230301167392011-11-28T12:46:00.000+00:002011-11-28T12:46:11.938+00:00Lens - SharpnessI've been struggling for a wee while now trying to understand why my images have not been sharp. I've changed to TV to ensure I keep my shutter speed high to avoid camera shake. Tried different ways of focusing. Still wasn't ok. Finally decided to get my lens checked. Eureka! Problem with my lens. Canon have replaced power diaphragm unit, image stabiliser unit, rear lens unit, adjusted optical unit set to standard. No excuse now for unsharp images.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-46605276243319406502011-11-27T10:54:00.000+00:002011-11-27T10:54:12.985+00:00Exhibition - Amazon<a href="http://www.somersethouse.org.uk/visual-arts/amazon">Amazon on at Somerset House</a> is truly inspiring work. Photographers Sebatiao Salgado and Per-Anders Pettersson commissioned by Sky and WWF spent 3 years creating this work which aims to help save part of the forest in North-West Brazil. The photos are huge, stunning landscapes and powerful portraits of indigenous tribes. Although this project took three years these two photographers have been taking images in the area for a lot longer. The more I see these truly powerful exhibitions i realise that the best work comes out of projects that take years and years. The magazine that accompanies this exhibition (unbelievably is free!) I am studying for presentation.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-13612662794432655962011-11-25T10:42:00.001+00:002011-11-28T17:46:54.734+00:00Notes to exercise - A narrative picture essay 2nd attemptMy first attempt at a photo essay wasn't great, I know that but couldn't put my finger on why. I asked my tutor for feedback. Other than the obvious way the sw has put a strange version on my blog with loads of blank spaces was the layout. Not in nice neat columns. One of his suggestions was to study magazines and newspapers. So I did.<br />
I'm still working through the sw issue. I just have to learn more and find free sw that will work for me. Not a bad option.<br />
Note to myself: Learn how to achieve what you are trying to do with the tools you have. By the time you can afford the expensive sw you will know exactly what you want to use it for.<br />
I've spent hours browsing magazines and book covers in stores. Studying the layout and how the subject matter is treated. Keeping in mind the next exercises I need to complete before the final assignment. I have put together another photo essay (in the post below). I'm happier with the layout, I need to think more about the comments and how the photos link together. The story I'm hoping to tell for my assignment will be strong so I need to think a lot about the images I need to connect them all. I'm becoming increasingly aware of how strong images put together well stand out from those around them. Since doing this study I'm becoming more aware of everything around me.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-18172536172160559372011-11-22T22:23:00.001+00:002011-11-23T14:18:18.490+00:00A Narrative Picture Essay - 2nd attempt<iframe allowtransparency="true" frameborder="0" height="385" src="http://files.flipsnack.com/iframe/embed.html?hash=7ed77c672f127626048dcd517q531548&wmode=window&bgcolor=EEEEEE&t=1321978377" width="640"></iframe>fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-84289765352518675192011-11-12T12:55:00.000+00:002011-11-15T13:26:56.112+00:00Exhibitions - James Hyman PhotographyA small selection of photographs from three very different photographers: <a href="http://www.atgetphotography.com/The-Photographers/Eugene-Atget.html">Eugene Atget</a>, <a href="http://www.annafox.co.uk/work-in-progres/resort/">Anna Fox</a> and <a href="http://www.realvenice.org/artists/lynne-cohen">Lynne Cohen</a>. The works of Eugene Atget were difficult to look at properly as they were in the office of the gallery staff (bizarre really) they were having a meeting so a little awkward to stand in front of the images for very long. However it did make me do a google search to view more of his works. A couple of his staircase images in the gallery I particularly liked. The lines, shape and light all come together brilliantly.<br />
Anna Fox was my favourite in this exhibition. The images were part of her project Resorts, a view of Butlins holiday camps. Funny I had been thinking of a similar body of work, should have known this would have been done, (probably done lots). I do love this style of work and have slowly been finding the photographers who work in this genre. Martin Parr, Peter Dench and now Anna Fox. What I especially love is that in some ways they have the initial appearance of a family snapshot but when you study them they are far from that. They give a real glimpse into real family lives, the colour is an important element of the images and often are big and bold. I wonder how they will be viewed in 100 years. I can't help but feel they will be of more interest than the beautiful landscapes that are taken during the same period.<br />
The third photographer was Lynne Cohen a Canadian photographer with a selection of her work that featured at the Venice Biennale. These images as stated in the publicity blurb <i>"explore the mystery of unoccupied space and place"</i>. I am learning to see more in this genre of images but still they don't inspire me. I get more out of images of people.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-41904704408612778002011-11-07T12:03:00.000+00:002011-11-15T12:50:34.324+00:00Workshop - The Picture StoryDid a one day workshop (organised through L.I.P.) with <a href="http://www.martinshakeshaft.com/">Martin Shakeshaft</a> on the picture story. With 15 of us on the workshop with varying skills and Martin attempting to show us everything from successful documentaries to putting together a punchy small film we weren't going to be able to get lots of detail. Still we were encouraged to take a section of what we wanted and go with that. I chose to try and photograph a picture essay incorporating the important elements we had discussed in the morning session. If doing an editorial feature it would typically be between 2-7 images. The most important shot is the <b>establishing shot</b>. This image puts the story into perspective, places the story. It may be the only image used so must tell the whole story in that one image. Typically wide angle shot.<br />
Next <b>pace. </b>A variety of images shot from different perspectives, long shot, mid shot, wide shot, close-up, relationships. Avoid boredom by changing the rhythms of the photographs.<br />
We regrouped at the end of the day to discuss what each of us had done. I found the establishing shot extremely difficult. Martin told us this is always the hardest shot even for those who have been doing it for years. <br />
For me these are all elements I will need to incorporate into my photo essay.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-71580444907727963482011-11-02T09:13:00.000+00:002011-11-02T09:13:58.295+00:00Evidence of ActionFor this exercise we are asked to take just one photograph in which it can be seen that something has happened. The reading suggests that this image should be powerful. Something that tells a story in just one image.<br />
I have just such a photo that I took after the riots.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-k_PZFt64HSo/TrEI6BIBAaI/AAAAAAAAAik/1aUdMkNhx_k/s1600/_MG_0230_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="266" src="http://1.bp.blogspot.com/-k_PZFt64HSo/TrEI6BIBAaI/AAAAAAAAAik/1aUdMkNhx_k/s400/_MG_0230_web.jpg" width="400" /></a></div><br />
I went to Brixton after the riots. I think this image is as powerful as many of those the media took of action shots at the time of the rioting. This image shows what happened. Even those caught up in the heat of the moment would have to reflect when seeing the results as shown here. Shortly after I took this photo most of the shop windows were boarded up, which in many ways hid the problem.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-74505789171129363132011-11-01T13:27:00.000+00:002011-11-01T13:27:31.548+00:00Notes to exercise - A narrative picture essayI had decided to use the Bloomsbury festival as my practice exercise as I work toward the Assignment 5. I tried to get a variety of pictures that would give the viewer a feel for the day, including a portrait, detail and the scene. The festival is mostly art and culture involving organisations and museums in the area.<br />
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The next part was to edit the photos down to between 5 and 15. I found this difficult especially as some of the photos weren't technically very good. What do I do? just use technically good pictures or put in those that tell the best story? I opted for the latter.<br />
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Now layout. Geez, I've no idea how to layout. I printed the pictures in various sizes and laid them out on the table trying to find groupings and sizes that worked best.<br />
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Next captions. Now I'm way outside of comfort zone. Hence the brief captions.<br />
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How do I now get if from scraps on the table into some kind of document. I finally went with MS publisher and saved as a pdf.<br />
More hours on the Internet to find how I could get this into my blog journal. I tried a couple of sites where you upload your document then copy the code into blogger. First attempts had parts of pictures and loads of frustration. More research. Finally found <a href="http://support.scribd.com/home#overview"> Scribd.</a><br />
Seems to work reasonably well without too many problems.<br />
Feeling more than a little concerned about the final assignment.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-88786915017351528472011-11-01T12:52:00.000+00:002011-11-01T12:52:29.016+00:00A Narrative Picture Essay<a href="http://www.scribd.com/doc/71140570/Blooms-Bury-Festival?secret_password=mkxtrhfhgs0uag84icv" style="-x-system-font: none; display: block; font-family: Helvetica,Arial,Sans-serif; font-size-adjust: none; font-size: 14px; font-stretch: normal; font-style: normal; font-variant: normal; font-weight: normal; line-height: normal; margin: 12px auto 6px auto; text-decoration: underline;" title="View Blooms Bury Festival on Scribd">Blooms Bury Festival</a> <object data="http://d1.scribdassets.com/ScribdViewer.swf" height="600" id="doc_64437" name="doc_64437" style="outline: medium none;" type="application/x-shockwave-flash" width="100%"> <param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"><param name="wmode" value="opaque"><param name="bgcolor" value="#ffffff"><param name="allowFullScreen" value="true"><param name="allowScriptAccess" value="always"><param name="FlashVars" value="document_id=71140570&access_key=key-1ji0pdp5asvrop4uwhel&page=1&viewMode=list"><embed id="doc_64437" name="doc_64437" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=71140570&access_key=key-1ji0pdp5asvrop4uwhel&page=1&viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="600" width="100%" wmode="opaque" bgcolor="#ffffff"></embed> </object>fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-13658787678090439162011-10-31T07:53:00.000+00:002011-11-02T08:07:00.298+00:00Exhibition - UK Poverty Photo ExhibitionAfter seeing some of Liz Hingley's work and listening to her speak at the Canon Expo I was keen to see the body of work commissioned by 'Save the Children' for their UK Poverty Campaign. Just showed for three days at House of St Barnabas. Six photographers have each taken images around the UK depicting poverty. I found this to be a very strong body of work and incredibly moving. In a way that brings you closer to the people. You feel as if you have met them all yourself. The work isn't presented in a way that makes the families victims. Work like this is what I would like to be doing. Stories told like this really make you want to do something. To change political decisions. Visual stories have such strong impact. Talking to one of the organisers after seeing the work was enlightening too. She has worked in this area for many years and even she was moved and shocked by this work. That is an indication of how brilliant this work is. We discussed the problems of being able to finance bigger exhibitions of this work. Something to consider if doing work like this is how and who is going to fund it.<br />
<a href="http://www.savethechildren.org.uk/en/16581.htm">UK Poverty Photo Exhibition. </a>fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-70752054906787878612011-10-26T22:00:00.000+01:002011-10-26T22:00:25.138+01:00Canon ExpoLast year I went to the Canon Expo (at the business centre in Islington High St) and spent most of the time fondling products. This year I went and mostly ignored the sales side and spend the best part of two days going to the seminars. A couple are showing you products. i didn't attend those ones. The draw card for mw was Martin Parr. I have long admired his work and wanted to hear the man in person. I was really disappointed. He is not an inspirational speaker, I found him rather arrogant and condescending. But I was lifted by Peter Dench. I guess you could say he has modelled himself along similar lines and style to Martin Parr, but he is a very entertaining speaker, humble about his work, which is exceptional.<br />
IThe other photogrpaher who really inspired me was Liz Hingley. A young photographer that already has loads of accolades and awards. Her work is closer to what I aspire to do, working closely with individuals or communities. She has gone to extraordinary lengths to get her pictures. Her project on religon is incredible as was her process. She joins the community she is photographing and lives along side them while taking her pictures. I'll be following her in the future. Her link for my reference:<br />
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http://www.lizhingley.com/fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-73227531026870005992011-10-20T22:47:00.000+01:002011-10-20T22:47:12.490+01:00Exhibition - MeI have two of my smoking pictures on the walls of the Strand Gallery in the L.I.P. annual exhibition. Also have had another two selected for the LIP Shoreditch exhibition (part of photo month). Next goal is my own show.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-35939805387053998752011-10-19T16:37:00.000+01:002011-10-19T16:37:32.105+01:00Assignment Four - Applying lighting TechniquesFinally I have the work to hand in for this assignment. It has taken me forever. Mainly as I decided to make the work I am currently doing with photographing strangers on the street smoking, fit the project. This has not been easy. It has meant I am not totally in control of every situation. I obviously don't have a studio set up. I thought a lot about how I would show each of the four categories: shape, form, texture and colour. A few weeks ago I convinced someone on the bus to be a model in an abandoned car park for an idea I had in my head. To work with I had a flash on a stand, some gel and a reflector. Also ambient light. Shape I decided to do in the most obvious way, a silhouette against the night sky. Texture and form I wanted to make use of the brick walls and broken fence in the car park. Colour I had in my head this idea of making the smoke blue and the smoker dark and moody. To do this I had a sheet of blue gel and an off camera flash. This took forever to get to work. I was on the brink of abandoning it. Why did I set myself something so difficult. However going back to my books. Trying to understand the angle of the light how to ensure it would be exactly where I wanted it when it fired. (No wonder hot lights are used in a studio, you know what they are going to do before they shot!) I talked to other photographers, I researched on the web. How do I get the light to just hit where I want. In addition the slightest bit of wind and the smoke would go in a different direction. My first attempts had eerie blue eyes burnt out forehead or spooky blue hands. Finally I worked out I need less gel, just a small sample gel taped across the flash. I had tried making a snoot to direct the light but that didn't colour all the smoke. What I did was change the zoom of the flash. Something else I have learnt. You can alter the width of the light with the zoom setting.<br />
Ideally a second light with a very soft amount of light on the dark side of the portrait would improve the shot. However I don't have another light, also I am concerned about how many cigarettes he has already smoked for me in this experiment. What I was trying to achieve was to just light the smoke. This I have now done. This was the hardest part of this assignment. I am happy that adding additional lighting to the image would not be difficult and that I understand what it would achieve.<br />
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As the majority of the portraits for this subject are opportunist on the street I have added a second group of photos, each taken in a different place but taken to fit each of the categories, shape, form, texture and colour. <br />
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<b>The work:</b><br />
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<span style="font-size: large;"><b>Group One</b></span> - These are the planned shots<br />
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Shape - I have used ambient light at dusk. That time when the sun has gone down and the sky goes a rich blue. I laid down on the ground, metered for the sky but underexposed so it would be a very rich blue and the smoker would be a dark silhouette, just showing the outline with slight detail around the edges.<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-0vLZF639DtY/Tp1-ZkqhimI/AAAAAAAAAgs/WGj9iaBFoP0/s1600/Shape_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="http://3.bp.blogspot.com/-0vLZF639DtY/Tp1-ZkqhimI/AAAAAAAAAgs/WGj9iaBFoP0/s400/Shape_web.jpg" width="283" /></a></div><br />
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Form - I have used a hard light from the flash (not diffused) place at the side of the model to create hard shadows. The rest of the lighting comes from ambient light as the sun is going down. It is an overcast day (lucky I am in London and we have plenty of those) this gives me diffused light for the rest of the image. It is the hard light that creates the shadows that gives the depth to the image making it appear multi dimensional rather than flat. The aim to show depth. The framing of the fence, the wires and then the model are clearly multi dimensional. I also incorporated my learning from module 2 (elements of design) in the use of lines and triangles in the composition of this shot.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-UGcHg2JZHdk/Tp1-m088q3I/AAAAAAAAAg4/NbjLevnZt4s/s1600/Form_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://3.bp.blogspot.com/-UGcHg2JZHdk/Tp1-m088q3I/AAAAAAAAAg4/NbjLevnZt4s/s400/Form_web.jpg" width="400" /> </a></div><div class="separator" style="clear: both; text-align: center;"><br />
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Texture - I have chosen a space with loads of natural texture then set the flash up to the side and slightly higher so the light shines down on the side of the model but also creates dark shadows in the broken bricks. I have reflected some of the light back with a gold reflector to ensure that the texture of the bricks is emphasised. The mixture of lights in uneven amounts ensures the textures of skin and hair are visible, as are the zips of his clothing. The broken bricks frame the smoker with a lovely complimentary curve.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-ueA2MaIcdAY/Tp1_RxI5feI/AAAAAAAAAhQ/eU-Bg2oR0oU/s1600/Texture_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://4.bp.blogspot.com/-ueA2MaIcdAY/Tp1_RxI5feI/AAAAAAAAAhQ/eU-Bg2oR0oU/s400/Texture_web.jpg" width="400" /></a></div><br />
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Colour - The hardest of this assignment. My light set up here: Looks simple now but took me ages to get here. The orange of the bricks and the blue smoke also form Goethe's complementary colours even though in the opposite relationship that he says creates harmony. I think that there is a form of harmony. My comments for this image and the problems I encountered are in my opening statements. Mainly it took forever to get it right.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-02EjmHo3Kk4/Tp1-D7FD8oI/AAAAAAAAAgg/YzZZov5sJSU/s1600/Notes.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="370" src="http://2.bp.blogspot.com/-02EjmHo3Kk4/Tp1-D7FD8oI/AAAAAAAAAgg/YzZZov5sJSU/s400/Notes.jpg" width="400" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-b3weiVfLumI/Tp1_dUNcc4I/AAAAAAAAAhc/1d0T__cfOY4/s1600/Colour_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://1.bp.blogspot.com/-b3weiVfLumI/Tp1_dUNcc4I/AAAAAAAAAhc/1d0T__cfOY4/s400/Colour_web.jpg" width="400" /></a></div><br />
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<span style="font-size: large;"><b>Group Two</b></span> - these images are taken in various places at various times.<br />
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Shape - This image was one I had taken awhile ago, the man was smoking a replacement plastic cigarette to help him give up smoking. I took the picture with his permission. I wanted to have his shape looking out across the lake to show he was thinking, possibly about anything but the cigarette he wanted. I used the ambient light with the smoker as a silhouette with some but not a lot of detail in the shadow area. The use of shape in this image I feel evokes emotion. If I had fully lit the man then the picture would just be a portrait. By having him as a silhouette, the fake cigarette is more obvious and I feel it makes you think more about what he is thinking.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-WuO01c6Kxt0/Tp2BHYDGKUI/AAAAAAAAAho/c1L7yHyuuLM/s1600/Shape_2ndgroup_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://3.bp.blogspot.com/-WuO01c6Kxt0/Tp2BHYDGKUI/AAAAAAAAAho/c1L7yHyuuLM/s400/Shape_2ndgroup_web.jpg" width="400" /></a></div><br />
Form - I had been doing a lot of work on this assignment, thinking about each of the elements. It was a very dull overcast day except for a beam of sunshine that fell on this man. I didn't have time to get permission I saw the light and that he would only be in it for a short time. I could see it fitted form perfectly so just started shooting, trying to get myself into a position that would give a 3D effect. I needed. The light is shining directly on the man's face creating shadows behind his ear and the back of his neck. The light in the background is diffused by clouds.The background almost disappears, the colour of the light on his face and the shadows created makes gives depth and form and distance from the background.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-tQsWaZHEKHI/Tp2DTKYzLLI/AAAAAAAAAh0/PK_pMFh1NB0/s1600/Form_2ndgroup_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://3.bp.blogspot.com/-tQsWaZHEKHI/Tp2DTKYzLLI/AAAAAAAAAh0/PK_pMFh1NB0/s400/Form_2ndgroup_web.jpg" width="400" /></a></div><br />
Texture - I saw the butt of the cigar on the ground. Evening light, the sun was disappearing and street lights were coming on. I had to lie on the ground to get this image. I wanted the texture of the cigar and the rough street to stand out and be a feature of the picture. I therefore chose a very shallow depth of field. The warm ambient light and street and car lights in the distance both frame the dropped butt and imply a story. Vertical and horizontal lines also form a strong part of this image including the implied line of the man and the cigar butt.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-Cul2Y4Dm7Mc/Tp2Fj2e0EyI/AAAAAAAAAiA/1IVT-z_nulQ/s1600/Texture_2ndgroup_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://3.bp.blogspot.com/-Cul2Y4Dm7Mc/Tp2Fj2e0EyI/AAAAAAAAAiA/1IVT-z_nulQ/s400/Texture_2ndgroup_web.jpg" width="400" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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Colour - This image is just about colour. Very strong, bold colours. Although purple and yellow and orange and blue are regarded as complimentary colours, this combination with a large amount of blue and all colours very vibrant makes the relationship contrasting. When I took this picture it was night time and I had the person sit under a street light then used a flash with a lightsphere, to diffuse and spread the light directly front on to the smoker. I wanted to ensure that I didn't clip any of the highlights, so the image veers to underexposure. I have lightened and brightened in photoshop. I felt this approach would give more depth and vibrancy to the colours.<br />
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<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-RZLBaRnssBY/Tp2KDCQt61I/AAAAAAAAAiY/XpjmWspCy-o/s1600/Colour_2ndgroup_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="283" src="http://1.bp.blogspot.com/-RZLBaRnssBY/Tp2KDCQt61I/AAAAAAAAAiY/XpjmWspCy-o/s400/Colour_2ndgroup_web.jpg" width="400" /></a></div><br />
The second group of images is also about being able to use whatever resources you have available to you where ever you are. For my project on photographing strangers smoking I am generally not carrying a lot of equipment with me so have to look around me and think about how I can manage what ever light I have on hand and to manipulate it in any way I can. Using a wall or street light. I have even used car headlights.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-3763325554161420942011-10-15T17:13:00.001+01:002011-10-21T19:25:37.016+01:00Exhibition - BiennaleGot a chance to fit in some of the Biennale in Venice. I love this festival. Always there is work I love and work that does nothing for me.<br />
One body of work I saw was at the Palazzo Bembo - Personal Structures.<br />
http://www.palazzobembo.org/index.php?page=28&lang=en<br />
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I also raced around the pavilion at Giardini. The problem is when you see so much is all becomes a blur and often what stays with you is what you don't like or the work that makes you feel uncomfortable.<br />
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I did take in the work of a photographer from South Africa, David Goldblatt. A body of work of ex offenders at the scene of their crime, he had their comments beside each image. I was particularly interested in how he composed the pictures and used their words. I was especially interested because of a body of work I am trying to do at the moment with addicts in London. The combination of images with the subjects comments rather than an outsiders comments I felt made the work much stronger.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-18748557380603532522011-10-10T13:36:00.000+01:002011-10-10T13:36:54.665+01:00Assignment Four PreparationI have not totally disappeared even though I have not updated my learning log for nearly three weeks. I have been away. However I have been working on the final images. I've taken some images trying to get my lighting correct. I've been having problems trying to get the lighting corect. Ideally I need more than one light for what I am trying to do however trying to work with what you have is something one has to learn also.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-89025772903824907212011-10-10T13:28:00.000+01:002011-10-10T13:28:00.676+01:00Shiny SurfacesWell this exercise was one way to get the housework done. I had to polish the tarnished silver egg cup to get the sheen back. The first part of the exercise was to take a photo of a shiny object on black velvet. The image below was taken with daylight coming from windows either side.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/-Vq6MrkPJeuA/TpLcSsjrfjI/AAAAAAAAAgA/pnEDoR8TCZE/s1600/_MG_1334_we.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="187" src="http://2.bp.blogspot.com/-Vq6MrkPJeuA/TpLcSsjrfjI/AAAAAAAAAgA/pnEDoR8TCZE/s320/_MG_1334_we.jpg" width="320" /></a></div>I then attempted to make a cone with a sheet of gel. The result is below:<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/-90wnNDOstsY/TpLjTZ8e9RI/AAAAAAAAAgI/G7oqx8LXSg0/s1600/_MG_1338_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="219" src="http://4.bp.blogspot.com/-90wnNDOstsY/TpLjTZ8e9RI/AAAAAAAAAgI/G7oqx8LXSg0/s320/_MG_1338_web.jpg" width="320" /></a></div>I repeated with a light at the side.<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-Df39C3-JwRo/TpLjixsDO5I/AAAAAAAAAgQ/nXS_OM3KuhU/s1600/_MG_1339_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="233" src="http://3.bp.blogspot.com/-Df39C3-JwRo/TpLjixsDO5I/AAAAAAAAAgQ/nXS_OM3KuhU/s320/_MG_1339_web.jpg" width="320" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://1.bp.blogspot.com/-bFyxijG-j5s/TpLjnTlH9iI/AAAAAAAAAgY/1_r-Amn73yY/s1600/_MG_1343_web.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="244" src="http://1.bp.blogspot.com/-bFyxijG-j5s/TpLjnTlH9iI/AAAAAAAAAgY/1_r-Amn73yY/s320/_MG_1343_web.jpg" width="320" /></a></div>My cone was crumpling in the last shot so i have a bit of colour cast. However the point of the exercise was to see how to deal with reflections. The ideal for photographing this eggcup would be to use a tent designed for just such a purpose. Lighting outside the tent to keep the cup shiny blocking unwanted reflections.<br />
I'll try and rig up something that will do a better job than my crumpling cone. Although the images aren't ideal i have grasped the principal in how to deal with unwanted reflections.fresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0tag:blogger.com,1999:blog-1903472535554677006.post-50036705839380198482011-10-07T17:12:00.000+01:002011-10-17T17:12:27.584+01:00Exhibition - Photo QuaiThe 3rd biennale of photographers around the world organised by the Musee du Quai Branly in Paris.<br />
All the photographers must be non Western. The aim is to give a chance and to compare the points of view, maybe challenge conventional views of photography. I found the work incredibly inspirational. Very varied. The photos are huge, outdoors along Quai Branly and in the gardens of the musee. Something powerful happens to an image when it is that big. I was also surprised at how such varied work could all hang together. Maybe it is because you have to walk around it over a huge space with everyday life going on around you. I don't know. It is a festival I will look out for in the future. <br />
http://www.photoquai.fr/en/2011/photographs.htmlfresheyeshttp://www.blogger.com/profile/00974236998125379619noreply@blogger.com0